Assets used in the Pikmin series

The Pikmin series and its world is built with distinct pieces of imagery, audio, and typefaces. A large portion of the assets used in the games are made from scratch and are proprietary to Nintendo, though occasionally, some of these assets may be taken or contain elements from external sources. This can include commercially-available software libraries, or real-life objects and hardware.

Stock photography

Since the objects and environments within the Pikmin series are often based on human technology and nature in the real world, photography of real items and locations on Earth are a common resource for textures. For the first game, a large amount of these images were taken in Japan by members of the game's own staff. However, it was not uncommon for some few pieces of foliage to be made using graphics from stock photography libraries. For more unnatural materials, this occurred a lot more often. During the development of Pikmin and Pikmin 2, these libraries were primarily sold and distributed on CD-ROMs.

Sozaijiten

The cover of Sozaijiten Vol. 6, one of the CD-ROMs used in the Pikmin series.

Sozaijiten (素材辞典^?, lit.: "Material Dictionary") is a series of stock image libraries by Datacraft that is advertised and sold as volumes. The content of each volume is themed (usually around a type of material, part of nature, or event), and were originally distributed on singular CD-ROMs. For Pikmin and Pikmin 2, photographs and artwork from Sozaijiten are used very often and in a myriad of ways.

On Sozaijiten's website, low-resolution previews of every image are available for browsing. The previews come with descriptions; these reveal the original shooting location of certain photos, or some miscellaneous information about the photographed material.

List of Sozaijiten textures used in Pikmin
Volume	Name	Source Image	Texture/Screenshot	Description
Vol. 6 四季・自然編 (Seasons and Nature)	SF085			The background to a piece of promotional artwork for Pikmin. It is an image of some horsetails, taken in Atsuta, Hokkaido.
Vol. 6 四季・自然編 (Seasons and Nature)	SF097			The background to a piece of promotional artwork for Pikmin.
Vol. 6 四季・自然編 (Seasons and Nature)	SF122	File:Pikmin The Final Trial Island Base.png		The mountains in the area selection menu. It is a photograph of Mount Kamui and Lake Mashū.
Vol. 6 四季・自然編 (Seasons and Nature)	SF164	File:Pikmin World Map Base.png		The main landmass in the area selection menu. It was taken in Shakotan, Hokkaido.
Vol. 13 葉・葉脈編 (Leaves and Leaf Veins)	SM054			Several plants found in the The Impact Site. It is a photograph of an elderberry's leaves.
Vol. 16 皮・年輪編 (Wood Textures)	SQ166			The base of several wooden stumps in The Distant Spring.
Vol. 21 宇宙・惑星編 (Space and Planets)	SV001			PNF-404, in the Nintendo Player's Guide of Pikmin. It is a photograph of Earth. It is also used for Koppai in the opening of Pikmin 3.
Vol. 21 宇宙・惑星編 (Space and Planets)	SV002			PNF-404, during the credits of Pikmin. It is a photograph of Earth.
Vol. 21 宇宙・惑星編 (Space and Planets)	SV007			PNF-404, during the good ending cutscene of Pikmin. It is a photograph of Earth.

List of Sozaijiten textures used in Pikmin 2
Volume	Name	Source Image	Texture/Screenshot	Description
Vol. 1 テクスチャー・石編 (Stone Textures)	SA068			Stone used around the geyser in the 2nd sublevel of the Emergence Cave.
Vol. 2 紙・布・木編 (Paper, Cloth, and Wood Textures)	SB108			The fabric for the Five-man Napsack.
Vol. 5 空・雲編 (Sky and Clouds)	SE074			The fog in the area selection menu of Pikmin 2.
Vol. 6 四季・自然編 (Seasons and Nature)	SF122	File:Pikmin The Final Trial Island Base.png		The mountains in the area selection menu. It is a photograph of Mount Kamui and Lake Mashū.
Vol. 6 四季・自然編 (Seasons and Nature)	SF164	File:Pikmin World Map Base.png		The main landmass in the area selection menu. It was taken in Shakotan, Hokkaido.
Vol. 6 四季・自然編 (Seasons and Nature)	SF190			Snow used for the Valley of Repose's background image. The image was taken on a beach in Otaru.
Vol. 6 四季・自然編 (Seasons and Nature)	SF191			Trees used for the Valley of Repose's background image. The image was taken in Shikaoi, Hokkaido.
Vol. 8 壁・土編 (Walls and Soils)	SH071			The walls of a cave background in Pikmin 2 , build. It has been flipped horizontally.
Vol. 8 壁・土編 (Walls and Soils)	SH096			Several metallic sheets buried in the ground that appear in the Perplexing Pool.
Vol. 13 葉・葉脈編 (Leaves and Leaf Veins)	SM074			Large leaves in the Perplexing Pool. It is a photograph of Galax.
Vol. 16 皮・年輪編 (Wood Textures)	SQ166			The base of several wooden stumps in the Perplexing Pool and a unique cave unit seen in the Hole of Heroes.
Vol. 21 宇宙・惑星編 (Space and Planets)	SV161			A galaxy that can be seen in the Debt Repayment Cinema in Pikmin 2. It is a photograph of a spiral galaxy in the Pegasus constellation.
Vol. 21 宇宙・惑星編 (Space and Planets)	SV186			Nebulae that can be seen in the Opening and Debt Repayment Cinemas in Pikmin 2. It is a photograph of the Orion Nebula.
Vol. 21 宇宙・惑星編 (Space and Planets)	SV187			Nebulae that can be seen in the Opening and Debt Repayment Cinemas in Pikmin 2. It is a photograph of the Orion Nebula.
Vol. 24 大理石編 (Marbles)	SY089			The texture for the Priceless Statue and Worthless Statue. It is an image of Grigio Carnico marble. For the latter treasure, the colors have been inverted.
Vol. 53 木目・組木・あじろ編 (Grain, Interlocked and Braided Wood)	CD123			The texture used for the Shock Therapist's wooden base. It is an image of rosewood.
Vol. 53 木目・組木・あじろ編 (Grain, Interlocked and Braided Wood)	CD138			A cave background in Pikmin 2 , flooring. It is an image of 5-inch white oak flooring. Several planks of wood were stretched.

Bakku no Oni

An image of Bakku no Oni SABI 2.

Bakku no Oni (バックの鬼^?, lit.: "Background Demon") is a series of stock image libraries that was distributed by A&P CO-ORDINATOR JAPAN. Its volumes were themed after colors or emotions. Images from "Bakku no Oni SABI 2" were often used as textures for the caves in Pikmin 2.

List of Bakku no Oni textures used in Pikmin 2
Volume	Name	Source Image	Texture/Screenshot	Description
寂2 (SABI 2)	RUST-08			Used for a small metal plate in the center of the room_hitode3x3_5_metal cave unit.
寂2 (SABI 2)	RUST-27			Used for the dark brown metal in many metallic cave units, and the top of the bucket in the room_big_kusachi garden cave unit.
寂2 (SABI 2)	RUST-34			Used as the center room's floor in room_white14x12_metal, a cave unit in sublevel 3 of the White Flower Garden.
寂2 (SABI 2)	RUST-36			The blue rusted metal in nearly every metal cave unit.
寂2 (SABI 2)	RUST-41			Used in the small path in room_white14x12_metal, and as the circular rim in the Titan Dweevil's arena, room_oootakara_tile.

VisualDisk

The front cover of VisualDisk M10 Leaves.

VisualDisk is a series of stock image libraries that was distributed by dizáin. Similar in scope to Sozaijiten, there was a very large amount of volumes released and high variety in its content. However, it is used sparsely in Pikmin 2.

List of VisualDisk textures used in Pikmin 2
Volume	Name	Source Image	Texture/Screenshot	Description
M-02 Metals	M2_01			Used for the top of the bucket in the room_big_kusachi garden cave unit. It is mixed with "RUST-27" from Bakku no Oni SABI 2.
M-10 Leaves	M10_05			Used for various autumn leaves on Pikmin 2's title screen, and in the intro for the Wistful Wild when landing in the area for the first time.
M-10 Leaves	M10_43			Used for several plants in the Wistful Wild. The leaves have been edited to look like they are decaying.

Audio

Similar to graphics, creating game audio often involves the sampling of various sound libraries. The games within the Pikmin series are a good example, where the vast majority of sounds can be sourced back to a number of different commercially-released products. These products are used to create the individual instrument samples and sound effects in the games, as well as long pieces of streamed music. All of the music in Pikmin, Pikmin 2, and Pikmin 3 use audio from digital instruments and synthesizers; instances of musicians performing live on real acoustic instruments are highly uncommon in the games. The new music composed by Babi for Pikmin 3 Deluxe is one of the very few occasions where this was done.

Since there is a history of many different composers and sound effect programmers contributing to the games, there is a large variety of synthesizers and sample libraries that have been used. Listed below are all of these currently known products. A detailed list of the specific songs they are used in can be viewed here.

List of products and sources used for music
Product	Image	Year	Format	Used By
Kurzweil K2500R		1996	Hardware synthesizer	Hajime Wakai	Used	Used	Used	Used	Absent
Roland SC-88		1994	Hardware synthesizer	Hajime Wakai	Used	Used	Used	Absent	Absent
Yamaha S90		2002	Hardware synthesizer	Kazumi Totaka	Absent	Used	Absent	Absent	Absent
KORG TRITON STUDIO		1999	Hardware synthesizer	Asuka Hayazaki	Absent	Absent	Used	Absent	Absent
Yamaha PLG150-DX		1999	Plug-in board	Kazumi Totaka	Absent	Used	Absent	Absent	Absent
Yamaha PLG150-VL		1999	Plug-in board	Kazumi Totaka	Absent	Used	Absent	Absent	Absent
InVision Lightware 1		1989	AKAI CD-ROM	Hajime Wakai	Absent	Used	Absent	Absent	Absent
Series 4000 Hollywood Sound FX		1989	Audio CD-ROM	N/A	Absent	Used	Used	Absent	Absent
SampleCell II CD-ROM Library		1991	SampleCell CD-ROM	N/A	Used	Used	Absent	Absent	Absent
Series 6000 The General Sound FX		1992	Audio CD-ROM	N/A	Absent	Used	Used	Absent	Absent
Warner Bros. Sound FX		1992	Audio CD-ROM	N/A	Absent	Used	Absent	Absent	Absent
Drums + Percussion Special Edit.		1992	AKAI CD-ROM	Hajime Wakai	Absent	Used	Absent	Absent	Absent
ZERO-G Ambient Volume 2		1993	AKAI CD-ROM	Hajime Wakai	Absent	Used	Absent	Absent	Absent
Orchestral Colours		1993	AKAI CD-ROM	Hajime Wakai	Absent	Used	Absent	Absent	Absent
Synclavier Sampler Library Perc+	File:ILIO Synclavier Sampler Library Percussion World and Orchestral.jpeg	1994	AKAI CD-ROM	Kazumi Totaka	Absent	Used	Absent	Absent	Absent
Bass Legends		1994	CD-ROM	Kazumi Totaka	Absent	Used	Absent	Absent	Absent
Ultra Gigapack		1995	SampleCell CD-ROM	N/A	Used	Used	Absent	Absent	Absent
Supreme Beats		1995	CD-ROM	N/A	Used	Used	Used	Absent	Absent
Hollywood Edge Animal Trax		1996	Audio CD-ROM	N/A	Absent	Absent	Used	Absent	Absent
Ethnic Flavours		1996	Audio CD-ROM	N/A	Absent	Absent	Used	Absent	Absent
Advanced Orchestra		1997	AKAI CD-ROM	N/A	Absent	Used	Used	Absent	Absent
Voices of Istanbul		2000	Audio CD-ROM	Kazumi Totaka	Absent	Used	Absent	Absent	Absent
Symphonic Orchestra		2003	Software instrument	Asuka Hayazaki	Absent	Absent	Used	Used	Absent
Ra		2005	Software instrument	Asuka Hayazaki	Absent	Absent	Used	Absent	Absent
Stormdrum 2		2007	Software instrument	Asuka Hayazaki	Absent	Absent	Used	Absent	Absent
Omnisphere		2008	Software instrument	Asuka Hayazaki	Absent	Absent	Used	Absent	Absent
KONTAKT Factory Library		2010	Software instrument	Atsuko Asahi	Absent	Absent	Used	Absent	Absent
HALion One		2006	Software instrument	Atsuko Asahi	Absent	Absent	Used	Absent	Absent
Logic Pro X		2004	DAW	Hajime Wakai	Absent	Absent	Used	Absent	Absent

List of products and sources used for sound effects
Product	Image	Year	Format	Used By
Series 4000 Hollywood Sound FX		1989	Audio CD-ROM	N/A	Used	Used	Used	Absent	Absent
E-MU Proteus/2 Orchestral		1990	Hardware synthesizer	N/A	Used	Used	Absent	Absent	Absent
SampleCell II CD-ROM Library		1991	SampleCell CD-ROM	N/A	Used	Used	Absent	Absent	Absent
Series 6000 The General Sound FX		1992	Audio CD-ROM	N/A	Used	Used	Used	Used	Absent
Universal Studios Sound FX		1992	Audio CD-ROM	N/A	Used	Used	Absent	Absent	Absent
Warner Bros. Sound FX		1992	Audio CD-ROM	N/A	Used	Used	Used	Used	Absent
Hanna-Barbera Sound FX		1993	Audio CD-ROM	N/A	Used	Absent	Absent	Absent	Absent
Roland SC-88		1994	Hardware synthesizer	Hajime Wakai	Used	Used	Used	Absent	Absent
Ultra Gigapack		1995	SampleCell CD-ROM	Takahiro Watanabe	Absent	Used	Absent	Absent	Absent
Distorted Reality		1995	CD-ROM	Takahiro Watanabe	Absent	Used	Absent	Absent	Absent
Supreme Beats		1995	CD-ROM	N/A	Used	Used	Used	Used	Absent
Kurzweil K2500R		1996	Hardware synthesizer	Hajime Wakai	Used	Used	Used	Used	Absent
Omnisphere		2008	Software instrument	Asuka Hayazaki	Absent	Absent	Used	Absent	Absent

Kurzweil K2500

Image of the Kurzweil K2500R.

Hajime Wakai and his powered-on K2500R behind him.

The Kurzweil K2500 is a synthesizer manufactured by Kurzweil Music Systems in 1996. The Kurzweil K2500R is its rackmount variant, and the specific model that was owned and used by Hajime Wakai in his work. Typically, rackmount versions of synthesizers are functionally identical, but they lack the physical keyboard. This makes them more compact and easy to cram into a studio space; however, it is intended that they be connected to an external MIDI device, such as a musical keyboard, a computer, or some other MIDI-compatible instrument in order to use them.

A lesser-known synthesizer, it is the signature synth of Hajime Wakai, and a staple of the audio design in the Pikmin series as a whole.

It is used in Pikmin, Pikmin 2, Pikmin 3, Pikmin 3 Deluxe, and Pikmin 4. In some parts of Pikmin 3, Asuka Hayazaki uses this synthesizer. Soshi Abe uses samples from it for Pikmin 3 Deluxe and Pikmin 4.

K25 FARM

Image of the Accessory Disk containing the K25 FARM.

By default, the Kurzweil K2500 comes with 200 instrument presets (also known as programs), but this amount is easily expandable. Users can create their own custom programs using various waveforms built into its synth engine, or load in programs from an external source using the synthesizer's floppy drive or SCSI connection.

The purchase of a new K2500 included several floppy disks, one of which contained the "K25 FARM". On it, is a collection of several hundred brand new, unique programs for the K2500. Users can load these presets by simply inserting the disk into the K2500's floppy drive. If the floppy disk is lost or damaged, the files are still available to download for free from Kurzweil's website; keep in mind, these presets are not playable without their compatible synthesizer.

The programs from the K25 FARM are also used very often within the music and sound effects of the Pikmin games, even Pikmin 3.

Roland SC-88

Image of the Roland SC-88.

The Roland SC-88 is a General MIDI-based synthesizer, manufactured by Roland in 1994. An entry in the Roland Sound Canvas series, it has 654 default instrument presets and 22 drumset presets that are designed to perfectly conform to the General MIDI standard, making it excellent for the playback of MIDI songs. It is still useful as a compositional tool; the sounds from the Roland Sound Canvas line of synthesizers are very common in video games. Compressed samples of audio from a SC-55 are even utilized for the Microsoft GS Wavetable Synth, the default "soundfont" for MIDI playback on most computers.

It is used primarily in the music of Pikmin and Pikmin 2, by Hajime Wakai. Alongside the Kurzweil K2500, these two synthesizers make up the vast majority of instrument samples in those games.

SC-88 preview

A short demo of sounds from the SC-88.

Fonts

Most of the fonts used in the Pikmin games are commercially-available fonts created by Dynacomware or Fontworks. Originally, they were sold bundled together with many other typefaces and distributed on CD-ROMs, but the individual fonts are still available online. Because of their availability, usage of these fonts in other media may be mistaken as a reference to the Pikmin series.

DFCraftSumi Std W9

DFCraftSumi Std W9.

DFCraftSumi Std is a typeface created by Dynacomware. DFCraftSumi Std W9 is used in Pikmin, Pikmin 2, and Hey! Pikmin for the bubble-like letters that appear in some menus and cutscenes. In Pikmin 3, a modified version of this font is used.

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  The save selection menu in Pikmin.

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  The Onion menu in Pikmin.

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  Title screen for Pikmin 2.

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  One of the day results menu screens in Pikmin 2.

DFPOP1 Std W3

DFPOP1 Std W3.

DFPOP1 Std is a typeface created by Dynacomware. DFPOP1 Std W3 is used as the main text font in Pikmin, such as for Olimar's monologs.

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  The title screen of Pikmin.

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  One of Olimar's voyage logs in Pikmin.

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  One of Olimar's monologs in Pikmin.

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  The high scores menu in Pikmin.

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  The enemy reel in Pikmin.

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  The Challenge Mode menu in Pikmin.

Seurat Pro DB

Seurat Pro DB.

Seurat is a typeface created by Fontworks. Seurat Pro DB is used as the main text font in Pikmin 2, as seen in the ship's dialogs and other various menu elements.

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  The mail screen in Pikmin 2.

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  The options menu in Pikmin 2.

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  A dialog box in the Treasure Hoard.

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  A menu explaining the rules in 2-Player Battle.

Rodin NTLG Pro DB

Rodin NTLG Pro DB.

Rodin NTLG is a typeface created by Fontworks. Rodin NTLG Pro DB is used as the main text font in Pikmin 3 and Pikmin 3 Deluxe, such as the English text displayed on the KopPad, on-screen character dialog, and other various menu elements.

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  One of Olimar's assignments in Pikmin 3 Deluxe. The message on the right uses Rodin NTLG.

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  The KopPad's exploration notes menu.

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  A data file obtained in Pikmin 3.

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  A HUD element in Pikmin 3.

New Rodin Pro DB

New Rodin Pro DB.

New Rodin is a typeface created by Fontworks. New Rodin Pro DB is used in Pikmin 3 and Pikmin 3 Deluxe for the numbers in the countdown at sunset.

Proprietary fonts

Some text that appears in the games use fonts that are uniquely created for the Pikmin series itself.

Pikmin 3 bubble-like font

An updated variant of DFCraftSumi Std W9 is used in Pikmin 3. It highly resembles the original typeface, but many minor changes have been made to improve readability, such as making the tails of certain characters longer and their widths more consistent.

A comparison between DFCraftSumi Std W9, and its smoother look-alike in Pikmin 3.

Hocotate Freight text

The logo for Hocotate Freight uses a uniquely designed font. It is alien-like, but still legible English.

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  The Hocotate Freight logo in the Pikmin 2 intro cutscene.

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  A sign bearing Hocotate Freight's logo.

Koppaite text

Main article: Koppaite text.

In Pikmin 3 and Pikmin 4, an in-universe written language appears very frequently on technology and as a background element throughout various in-game menus. The text appears as an assortment of illegible alien symbols, but these characters are actually translatable into the 26 letters in the English alphabet, which reveal some small secrets when various instances of the text are deciphered.