Editing Music in Hey! Pikmin

{{page title|Music in ''Hey! Pikmin''}}

{{game icons|hp=y}}

Plays in the [[Leafswirl Lagoon]]'s [[area selection menu]], where the player can pick which [[area]] of the sector to play in. This beautiful theme in 3/4 time includes a calm melody played on panflute over a simple guitar line, and later a second section with a similar melody played by a Dallape accordion over a more full-sounding background. The resulting theme is fitting for an autumn landscape.

Plays during the [[Hey! Pikmin logs menu]]. This theme contains 2 sections; the first features a melody on xylophone and later panflute, with an accordion adding additional harmony. The second section is more full-sounding, with long string chords and a harp part joining the other instruments. This theme's mood is generally positive to fit the enemy and creature logs it accompanies. A large pizzicato bass section is also present, though it's barely audible when played on the 3DS's speakers, which may make this theme sound flatter than what might have been intended.

Plays during the [[Pikmin Park]]. Sparse percussive tones and a low fluttering panflute give this theme a "wild" feel that fits the style of the Pikmin Park well. The rhythm is similar to the [[Music in Pikmin 3#Tropical Wilds|Tropical Wilds theme]] from {{p3}}.

Plays during most of the [[S.S. Dolphin II]] update [[cutscene]]s, for all scenes that aren't the ship talking about having discovered a [[boss]] battle area, since the ''[[#Inside the S.S. Dolphin II - boss found|Inside the S.S. Dolphin II - boss found]]'' track plays in those situations. A bright introductory bar heralds the arrival of good news, and following that, a joyful melody on a saw synthesizer plays over a major chord progression.

Plays during the [[S.S. Dolphin II]] update [[cutscene]]s where the ship reveals that it found a [[boss]] battle area. A slow progression of tight and dissonant chords plays on high strings, while a chromatic and low-pitched piano and pizzicato string melody plays underneath, creating a highly threatening tone. Within the high string texture, there is a beeping alarm-like synthesizer, repeatedly playing the same note.

|name = Bulborb introduction

Plays during the [[Bulborb]]'s introduction [[cutscene]] in [[The Shadow in the Brush]]. Noises of Pikmin running away from an unseen threat start the cutscene. As the boss creeps through the grass, a short section of the main [[#The Shadow in the Brush|Bulborb battle theme]] with the lowest notes removed plays, coming to an altered ending as the boss roars.

Plays during the [[Long Water Dumple]]'s introduction [[cutscene]] in [[The Keeper of the Lake]]. An ostinato and bassline from the main [[#The Keeper of the Lake|Long Water Dumple battle theme]] play as Olimar descends into the water, and as the boss's mouth comes into view, Pikmin scream and the boss roars.

Plays during the [[Armurk]]'s introduction [[cutscene]] in [[Subterranean Tyrant]]. As Olimar and the Pikmin enter the empty cavern, high and mysterious strings quietly play in the background. As the boss appears, brass chords similar to those in the main [[#Subterranean Tyrant|Armurk battle theme]] enter, and grow in volume until the end of the cutscene.

Plays during the [[Electric Cottonade]]'s introduction [[cutscene]] in [[Flashes of Fear]]. A worrying xylophone pattern plays as Pikmin investigate a mysterious cotton object. As the object reveals itself to be a boss, strings enter, and play the string parts of a section of the main [[#Flashes of Fear|Electric Cottonade battle theme]] as the boss rises into the air.

Plays during the [[Queen Shearwig]]'s introduction [[cutscene]] in [[Troop Commander]]. A sudden string chord plays as a group of Pikmin are surprised by Shearwigs, and then two slide whistles comically slide up and down as Olimar falls. As Winged Pikmin catch Olimar and the boss is revealed, string chords similar to those in the main [[#Troop Commander|Queen Shearwig battle theme]] enter, playing until the end of the cutscene.

Plays during the [[Fiery Blowhog]]'s introduction [[cutscene]] in [[Blazing Winds]]. A cinematic string introduction plays throughout most of the cutscene, except for a brief xylophone and flute interlude where Olimar falls off a ledge. The music stops when the boss roars, and then the battle starts.

Plays during the [[Luring Slurker]]'s introduction [[cutscene]] in [[Cold-Hearted Guardian]]. A single suspenseful note plays as Pikmin investigate a mysterious object, then as the object suddenly moves, an electronic texture with the primary ostinato from the main [[#Cold-Hearted Guardian|Luring Slurker battle theme]] enters, playing until near the end of the cutscene.

Plays during the [[Emperor Bulblax]]'s introduction [[cutscene]] in [[The Last Lair]]. High-pitched string notes play as Olimar notices the ground rumbling. Then, a dramatic introduction similar to the main [[#The Last Lair|Emperor Bulblax battle theme]] play as the boss rises from the ground and Pikmin scream and jump out of the grass. This leads directly to the first part of the main battle theme.

Plays during the "front" side of most areas in the [[Brilliant Garden]]: [[First Expedition]], [[Mushroom Valley]], [[Back-and-Forth Road]], and [[Cherrystone Pass]]. It also plays in the tutorial area after the crash-landing. This theme sets a great introduction for the small scale and cute tone of the game, with high-pitched instruments playing a calming tune in the lydian mode. Throughout its several sections, instruments such as vibraphone, harp, clarinet, guitar, bright synthesizer, shaker, and clave come together in various combinations to make textures that exemplify the beauty of nature.

Plays during the "front" side of most areas in the [[Ravaged Rustworks]]: [[The Lonely Tower]], [[Steel Pipe Forest]], and [[Pollution Pool]]. The Ravaged Rustworks are filled with the abandoned relics of human construction, and this theme plays into that, creating a tone of resilient desolation with its guitar arpeggios, open melodies, and colorful chords. The theme may be in a major key, but there is sadness behind the beautiful harmonies.

Plays during the same areas as ''[[#Ravaged Rustworks area|Ravaged Rustworks area]]'', but during the "back side", accessible by entering a [[doorway]]. Various metallic chords, tinkling noises, and unpitched percussion fill the first half of the theme, with plenty of space between every note. The second half of the theme has a melody and bass note, but the melody never leads anywhere.

Plays during the "front" side of the following areas in the [[Leafswirl Lagoon]]: [[Fragrant Forest]], [[Downpour Thicket]], and [[Gale-Force Glen]]. Diverse synthetic tones, a flute, and some hand percussion make up most of the instruments in this highly syncopated theme. There are lots of large jumps between notes, and there are very few low notes in the piece, fitting with the airy theme of the Leafswirl Lagoon.

Plays during the same areas as ''[[#Leafswirl Lagoon area|Leafswirl Lagoon area]]'', but during the "back side", accessible by entering a [[doorway]]. This theme prominently features an atonal melody line made of minor thirds and seconds, as well as a variety of alien-sounding pitchless textures.

Plays during the "front" side of the following areas in the [[Leafswirl Lagoon]]: [[Valley of the Breeze]] and [[Bed of Fallen Leaves]]. This theme in septuple meter creates a dark tone through its subtle percussion and chord layers, and the way it stays on chords for long periods of time. A syncopated bassline and a whistled melody produce an ominous and airy feeling that fits the precise flying-based gameplay of these levels.

Plays during the same areas as ''[[#Leafswirl Lagoon area 2|Leafswirl Lagoon area 2]]'', but during the "back side", accessible by entering a [[doorway]]. Unlike most back side themes, this one approaches tonality in many of its melodic fragments, but most of these fragments are in different keys. Each one plays after the previous one with little connection between them.

Plays during the "front" side of the following areas in the [[Sweltering Parchlands]]: [[Scorched Earth]]/Charred Plains and [[Barriers of Flame]]. This theme captures the burnt nature of the areas it plays in with its wispy background chords and textures, but the melody and other foreground parts tell a different story, moving between chords in a more hopeful progression. The song also prominently features a delayed synthesizer pattern in the second half of most bars.

Plays during the same areas as ''[[#Sweltering Parchlands area|Sweltering Parchlands area]]'', but during the "back side", accessible by entering a [[doorway]]. This theme creates tension throughout, with quick and sudden descending synthesizer lines that repeat louder an octave up each time. In other parts of the piece, ominous bass notes dominate the texture. This helps warn the player about the [[fire]] in the area.

Plays during the "front" side of the following areas in the [[Snowfall Field]]: [[Freezing Wasteland]] and [[Frozen Hazard]]. Wispy high-pitched noises are constantly in the background of this theme, evoking a feeling of coldness. The melodies and harmonies of this piece are also mostly made of high notes, and use synthetic tone colors that sound as if they are glistening off the snow.

Plays during the same areas as ''[[#Snowfall Field area|Snowfall Field area]]'', but during the "back side", accessible by entering a [[doorway]]. This theme uses the same kinds of wispy tone colors as the corresponding front side theme, but subverts this by playing most of its atonal melodies with a low-pitched mellow saw synthesizer.

Plays during the "front" side of most areas in the [[Lushlife Murk]]: [[Scourge of the Skies]], [[Septic Swamp]], and [[Burning Bog]]. As the game nears its end, the music doesn't get more threatening, but instead builds a calm ambience that simultaneously draws attention to the deadly nature of the area. Most of the theme moves between two chords, outlined by arpeggiated kalimba-like synthesizers, while other sections are based around a string section playing more colorful chords.

Plays during the same areas as ''[[#Lushlife Murk area|Lushlife Murk area]]'', but during the "back side", accessible by entering a [[doorway]]. This theme, unlike the rest of the back side themes, is not atonal, instead using a variety of complex chords in a slow ambient theme, punctuated by quick bursts of percussion and short melodies with heavy delay.

Plays during the "front side" of the [[Sizzling Precipice]]. This theme makes heavy use of 2:3 polyrhythms, with some instruments dividing the bar of 6/8 in 4 and some dividing it in 6. The first half of the theme is based around some jazzy electric piano chords, while the second half features a sliding melody in the upper register.

Plays during the "back side" of the [[Sizzling Precipice]], accessible by entering a [[doorway]]. This theme contains very diverse textures for its instruments, which come in and out in short bursts like in most other back side themes. Some of these bursts feature alternating notes that are quite similar to those in the ''[[#Leafswirl Lagoon area|Leafswirl Lagoon area]]'' theme.

Plays during [[Over Wintry Mountains]]. This track appears in {{ssbu}}, and is called such in that game. This fast-paced theme features heavy use of chromatically rising or falling notes, in melodies, chord progressions, and background elements, creating tension in a silly way, which fits with the level's theme of rapidly sliding down a mountain.

Plays during [[Olimar's Madcap Ride]]. This entirely electronic theme with no percussion features a slow melody soaring over complex chord progressions, fitting with the level's theme of riding on slow-moving [[Adult Centipare]]s.

Plays during the fight against the [[Bulborb]]. A tense and dissonant xylophone and shaker pattern repeats through almost the entire length of the piece, as sharp accented notes play on low instruments, and various wind instruments play short melodies at inconsistent times. There are only 2 breaks from the constant rhythm – a 2-beat solo vibraphone interlude that breaks the pattern, and a short 3/4 section with longer notes than in the rest of the piece.

Plays during the fight against the [[Long Water Dumple]]. This track appears in {{ssbu}}, and is called such in that game. A dark-sounding string pattern provides the song's foundation, establishing a constant C chord with heavy use of D-flat notes. The melodies throughout the piece feature heavy use of chromatic melodies and tritone intervals. A techno drumbeat plays quietly in the background, except in a breakdown section where it comes to the front.

Plays during the fight against the [[Armurk]]. This theme starts with a high-velocity piano pattern, a snare drum, and a bass drum, playing in 7/8 time. Throughout the first section, more and more layers enter – a bass drone, a xylophone, a french horn ostinato, a piccolo, a trombone melody, and a trumpet section, building the tension. Some parts drop out in the second section, but in the third section, the tension is brought to its maximum with loud and epic jumps between distant chords, repeated in 2 different keys.

Plays during the fight against the [[Electric Cottonade]]. This track appears in {{ssbu}}, and is called such in that game. This light boss theme starts with a pair of flutes playing a fast and tense melody on top of a bassoon bassline. In the next section, chords rise and fall chromatically with several different instrumentations. In the next section, a melody similar to one in the [[#Over Wintry Mountains|''Over Wintry Mountains'' theme]] plays over a simple orchestral backing track.

Plays during the fight against the [[Queen Shearwig]]. This complex boss theme contains several harmonically ambiguous sections, each creating tension in different ways. The sections are unified by the use of a string-heavy orchestral instrumentation and a strong and percussive tresillo rhythm.

Plays during the fight against the [[Fiery Blowhog]]. This theme is dominated by diminished chords, and the slow melody contains lots of semitone and tritone intervals, creating a very dissonant tonality. The harmony is fairly static, letting the player focus on the boss, though one section is in a different key from the rest of the loop.

Plays during the fight against the [[Luring Slurker]]. This piece has two distinct sections. The first primarily uses conventional instruments such as accordion and xylophone, and uses short notes to create a lively feel. The second uses almost entirely synthesized sounds with heavy reverberation, creating a much more mysterious tone.

Plays during the fight against the [[Emperor Bulblax]]. The slow chords at the beginning of this theme are reminiscent of the original [[Music in Pikmin#Final Boss Battle|Emperor Bulblax theme from ''Pikmin'']]. The rest of the piece is menacing, with droning low instruments creating a dense texture, except in a section where they drop out entirely save for the occasional bass drum note, creating a different kind of menacing feel. There is a wistful flute solo in the last section of the loop.

Plays at each area's starting [[cutscene]], when the [[S.S. Dolphin II]]'s pod drops [[Captain Olimar]] into the area. This takes place after the [[loading]] screen, and before the player takes control of Olimar. A string section and xylophone play a descending sequence of bright chords, ending on a held chord that a harp plays arpeggios over, which leaves a slight suspenseful feel that is resolved when the area music starts playing afterwards.

Plays during the [[cutscene]] at the exit of each area, where the [[S.S. Dolphin II]]'s pod beams up [[Captain Olimar]] and whatever [[Pikmin family|Pikmin]] he brought along. The jingle starts with a drum roll as the Pikmin line up, and then as they celebrate, a joyful fanfare on percussion and brass instruments plays, with an A-C-A chord progression.

Plays during the [[cutscene]] that takes place when the player collects a [[treasure]] (or [[Sparklium Seed]]) dropped by a [[boss]] (except the [[Emperor Bulblax]]), and the [[S.S. Dolphin II]]'s pod beams up [[Captain Olimar]], any living [[Pikmin family|Pikmin]], and the treasure. This is a more triumphant version of the regular ''[[#Area clear|Area clear]]'' music, with a shorter drum roll and a larger set of orchestral instruments playing the fanfare (which uses an A-Eb-A chord progression instead of A-C-A).

Plays in the same context as ''[[#Boss defeated|Boss defeated]]'', but exclusively in [[The Last Lair]]. This fanfare is very different from the others, featuring orchestral strings playing a chromatic melody over triumphant chords, in a way slightly similar to the ''[[Music in Pikmin#Level Complete|Level Complete]]'' theme from {{p1}} that plays when the [[Emperor Bulblax]]'s ship part is collected.

Plays when [[Captain Olimar]] loses all of his [[health]] and the screen fades to black, in a regular [[area]]. This short jingle communicates a sense of failure in only 3 chords.

Plays during the [[area results menu]] if a notification about a [[Hey! Pikmin logs|log]] category being completed shows up. This jingle cuts off the ''[[#Results|Results]]'' theme, and when it's over, the latter continues. This simple fanfare with a common C-D-E chord progression features an interesting countermelody outlining each chord.

Plays during the short [[cutscene]] where [[Captain Olimar]] and the [[Pikmin family|Pikmin]] celebrate having collected the [[pellet]] or [[amiibo]] treasure at a [[Secret Spot]]. This simple fanfare with a common G-A-B chord progression features an interesting synthesizer tone playing a short melody.

Plays when the player finds a stash of [[Sparklium Seed]]s at the [[Pikmin Park]], whether it's from cleaning up a piece of clutter or by having found it in the open after everything is clean. This brief jingle features a quick and exciting melody on flute and glockenspiel, played over some quiet chords.

Plays when the player finds a [[treasure]] at the [[Pikmin Park]]. This fanfare uses syncopation and a rising brass melody to make the discovery of the treasure exciting.